Survey 4: Pinned by a shaft of light through the window
Friday, September 30th 5-8pm
You once told me that memory is a choice. But if you were god, you'd know it's a flood.
If we are to describe memory to you, it would be a sentence, an image, or something we point at. But memory precedes precision. It comes first as a feeling that engulfs you before you realize what it is. A bodily impulse. From there on you begin to make sense of it. You verbalize it by tracing where it stems from. You represent it as a figuration, an object. You abstract it, take it apart and reassemble. You hide it in your back pocket where it only shows its vague contour.
Raw memories stay elusive, agile, and volatile. So what we can show you is a collection of conditions. They are moments of possibility: the happiness, distress, or ambivalence of having; the beginnings of stories. Like when you find yourself sitting in a quiet room, contemplating, or flat on the bed, staring at the ceiling, missing somewhere, desiring someone. Like when you ask “what if?” and blend the past with fantasy. Like when you withhold like a brave dam, turning falls into power.
This show offers glimpses into the expressions of twelve incredible artists. One shade of their rainbows; one facet of their prisms. You will feel the tender caress from the ancestors (Maria-Antonia Villaseñor-Marchal), study the wielding of calendars (Josué Esaú), and see your flickering reflection on a TV screen (Breanna Robinson). You will delve into collective memories through archives (James Hosking), through haptic weavings (Jessica Ferrer), and through architectural interiors (Luis Rodriguez Rosario).
Sometimes, childhood emerges as dreams (Eseosa Edebiri). Sometimes the forgotten bursts like popcorn (Mariel Harari). Sometimes, memory is like flipping through infinite pages (Yoonshin Park). Memory is also a past reimagined, a psychological non-place where we, as passersby, formalize our latent impulses (Chloe Munkenbeck), walk the labyrinth of our trauma (Becca Thomas), and examine alienation with intimacy (Sungjae Lee).
The show itself will also become a memory—your memory. And we hope it’s briefly remarkable.
Nicky Ni, Vasia Rigou, & John H. Guevara
Greek-born Vasia Rigou is a writer, editor, and curator. She grew up to appreciate art after years of carefully planned, culture-filled travel itineraries and museum-hopping around Europe with her family. Much of her work writing about visual art, culture, architecture and design, can be found at Newcity, Chicago’s leading culture publication, where she serves as an editor. She also regularly contributes to international magazines OnOffice and ICON. When she’s not writing about art or looking at art—wine in hand—she makes lists for pretty much everything, drinks immense amounts of coffee and takes cross-country road trips every chance she gets.
Image: Horizon, untitled #5, 2015. This piece is part of a series of 7 photographs, showcasing the horizon blending into the frozen lake landscape.
Nicky Ni is a curator and writer living in Chicago. She is currently the Development and Operations Assistant at the Arts Alliance Illinois. She has curated exhibitions or screenings at Conversations at the Edge, Mana Contemporary, Museum of Contemporary Photography, 062 Gallery, among others. Additionally, she is co-founder of LITHIUM (2017-19), a Pilsen-based gallery dedicated to time-based art. LITHIUM then became TNL (aka. The Neu Lithium), an online editorial and curatorial platform for time-based and media art. Nicky has written for Newcity, Call for Curators, Chicago Artist Writers and Sixty Inches from Center. She graduated from The School of the Art Institute of Chicago and Northwestern University.
"Is It A Good Time?" was a 72-hour nonstop online screening that took place from March 5 to 7, 2021, featuring 33 artists from all over the world residing in the United States. Co-curated by Maryam Faridani and Nicky Ni, the exhibition aimed to address pertinent bio-political issues related to the COVID-19 pandemic and to reflect on the prolonged period of time under the lockdown in 2020.
John H. Guevara is an art organizer and curator raised and based in Chicago. They hold an AA from Harold Washington City College of Chicago and a BA in Arts Management from Columbia College Chicago. They worked and interned at MOCP, EXPO Chicago, National Museum of Mexican Art, and Mana Contemporary. They have been invited to advise, jury, and workshop at organizations such as Threewalls, culture/Math, Equity Arts, Heaven Gallery, Chicago Art Census, Arts Work Fund, and SAIC. They also did a curatorial research residency at No Lugar Arte Contemporáneo in Quito, Ecuador. With the help of peers, kins, advisors, and friends, they founded and currently direct Chuquimarca, an art library project tasked to gather and share resources related to Native, Caribbean, and Latin American art histories and contemporary art.
Image Description:Installation image of Tu nombre en arroz exhibition with Astro Escudero, Aida Ramirez, and Rosalinda Cabrera at Chuquimarca, Chicago, 2019.
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