Friday, March 19, 2021 / 3-7 pm
Julian Flavin Kyle Bellucci Johanson Selva Aparicio Susy Bielak Maryam Taghavi Paige Taul
Open Hours: Wednesdays, 10am-2pm and Fridays, 3-7pm by appointment only
Chicago Artists Coalition is pleased to present Preview 10, the tenth anniversary survey show of works by BOLT artists-in-residence: Selva Aparicio, Kyle Bellucci Johanson, Susy Bielak, Julian Flavin, Maryam Taghavi, and Paige Taul. Preview 10 will open on Friday, March 19, 2021, by appointment only, from 3-8pm. Please reserve your time here.
Preview 10 is curated by Kristin Korolowicz.
Preview 10 presents various creative viewpoints from recent works that are gestures in new directions for the artists, in preparation for their solo exhibitions in 2021 and 2022. The exhibition is conversational, provisional, and open-ended in allowing the art to define itself and to evoke feelings of persistence and renewal.
About the curator
Kristin Korolowicz is an independent curator and writer. She is currently working on a solo exhibition of Port-au-Prince-born, Miami-based artist Adler Guerrier. She has worked previously at the Hirshhorn Museum and Sculpture Garden, the Bass Museum of Art, and the Museum of Contemporary Art Chicago. As the Marjorie Susman Curatorial Fellow at the MCA Chicago, she co-curated Theaster Gates’s “13th Ballad,” an extension of his multifaceted project for dOCUMENTA (13), with chief curator Michael Darling. Korolowicz also curated solo exhibitions of commissioned works by Gaylen Gerber and José Lerma. Her current independent curatorial research interests include investigating multivalent forms of collaboration. Over the course of her career, she has worked with an array of emerging to established artists, such as: Ghada Amer & Reza Farkhondeh, Roman Ondák, Mark Dion, Felipe Mujica & Johanna Unzueta, Laurent Grasso, Sanford Biggers, Glenn Kaino, Victoria Martinez, Chemi Rosado-Seijo, and Jillian Mayer, among others. She earned her MA in Curatorial Practice from California College of the Arts.
Julian Flavin is a Canadian artist and educator living in Chicago, Illinois. His work employs film/video, installation, writing, and sound to think through such ideas as: the ideological applications of music, the mitigation of social pain with dystopian irony, and the vexed desire for respite from complexity. His work has been featured as part of SXSW, Osheaga Music Festival, Harun Farocki’s Labor In A Single Shot, and Visions Du Réel amongst others. He has worked as the assistant to artist Mierle Laderman Ukeles and currently teaches at Northwestern University and the School of the Art Institute of Chicago.
Image: Julian Flavin i, as in (2019). HD Video, 17 minutes.
Kyle Bellucci Johanson completed a B.A. in Reconciliation Studies and Art from Bethel University in 2009. In 2008 he studied peace and conflict at the University of Ulster in Derry/Londonderry, Northern Ireland, and completed an M.F.A. at California Institute of the Arts in 2016. Kyle was a 2015 fellow of at land’s edge, an artist-led, autonomous, and experimental platform focused on intergenerational mentorship and engaged programming in community-run spaces across east and south Los Angeles. In 2018 Kyle opened table, a temporary project space dedicated to situating artist’s practices through exhibition, discursive meals, and publication. Currently he is an adjunct assistant professor at University of Illinois Chicago, and lecturer at School of the Art Institute of Chicago. Kyle’s work has recently been on view at the Gray Center at the University of Chicago (Chicago, Illinois), Bill’s Auto (Chicago, Illinois), Museum of Contemporary Art on the Moon (MOCAM), Automata (Los Angeles, California), Sullivan Galleries at the School of the Art Institute of Chicago (Chicago, Illinois), ALTES FINANZAMT (Berlin, Germany), Centro Cultual Metropolitano – MET Quito (Quito, Ecuador), and Human Resources (Los Angeles, California).
Image: Kyle Belluci Johanson chance encounters for a third try: attempting a house party on the moon (screenshot). A performance architecture in which my flat in Chicago has been reconstructed on the surface of the moon – Earth’s natural satellite. (http://partyonthemoon.house)
Headshot Photo Credit: Kim Becker
Interdisciplinary artist Selva Aparicio works across installation, sculpture and performance, creating artwork that functions as a research practice of memory, death, intimacy and mourning.She received her BFA from the School of the Art Institute of Chicago and her MFA from Yale University in Sculpture in 2017. Her work has been exhibited internationally in solo and group exhibitions; she was named the recipient of the JUNCTURE Fellowship in Art and International Human Rights and the Blair Dickinson Memorial Prize. She was most recently the winner of the 2020 MAKER Grant, and was named by NewCity Art as one of the 2020 breakout artists in Chicago.
Image: Selva Aparicio “Velo de luto” (Mourning veil), 2020. Magicicada wings, sewn with hair. Photo taken by Robert Chase Heishman.
Susy Bielak’s art and writing responds to issues including migration, displacement, and the relationship between domestic life and disaster. In the process, she mines personal and political histories, texts, and archives to find the allegorical possibilities and poetics of people, places, and materials. Bielak’s work has been collected and exhibited widely, including by the International Print Center, Museo Tamayo, San Diego Museum of Contemporary Art, and Walker Art Center, and published in Art Papers, Poetry Magazine, and New American Paintings. She received her MFA from the University of California, San Diego. She frequently makes work with Fred Schmalz in the collaborative Balas & Wax.
Image: Susy Bielak Singing in the dead of night: Breath Drawing #1, 2020, photograph, 12.5” x 12.5”
Maryam Taghavi is a Tehran-born Chicago-based interdisciplinary artist working in photography, installation, video, publication, drawing, and performance. She received her BFA from Emily Carr University and MFA from the School of the Art Institute of Chicago. She employs a post-studio, site-specific practice that weighs in on and intervenes in existing modes of production. Interested in the interchangeability between the observer and participant, Taghavi locates agency in the role of the language to mark the experience of displacement and expose complex layers of difference across social and cultural levels. Taghavi’s work has been exhibited at LAXART, the Queens Museum, and the Chicago Cultural Center, among others.
Image: Maryam Taghavi, A Flight into the Abyss, 2019. Acrylic glass, fabric print, digital print on fabric. Installation dimension: 20 x 10 ft.
Paige Taul (b.1996) is an Oakland, CA native who received her BA in Studio Art with a concentration in Cinematography from the University of Virginia and her MFA in Moving Image from the University of Illinois at Chicago. Her work engages with and challenges assumptions of black cultural expression and notions of belonging through experimental cinematography. As a part of her filmmaking practice she tests the boundaries of identity and self-identification through autoethnography to approach notions of racial authenticity in veins such as religion, style, language, and other black community based experiences.
Image: Paige Taul, 10:28, 30, 2019. 16mm/miniDV, 04:23 min
Never miss a thing
Subscribe to our newsletter and get regular updates on news, events, grants, and the latest opportunities for artists.
Support Chicago Artists
Make a gift to CAC today and join our growing community of supporters