Wed-Thu: 11AM-5PM | Fri-Sat: by advance appointment
Wed-Thu: 11AM-5PM | Fri-Sat: by advance appointment
Chicago Artists Coalition welcomes the public to view exhibitions by emerging Chicago artists, join us at opening receptions, or attend education events

2130 W. Fulton St., Chicago, IL 60612

Wednesday-Thursday: 11AM-5PM

Friday-Saturday: by advance appointment

03.19
04.28
Preview 10
Reception Opening

Friday, March 19, 2021 / 3-7 pm

Work by

Julian Flavin Kyle Bellucci Johanson Selva Aparicio Susy Bielak Maryam Taghavi Paige Taul

Open Hours: Wednesdays, 10am-2pm and Fridays, 3-7pm by appointment only

Chicago Artists Coalition is pleased to present Preview 10, the tenth anniversary survey show of works by BOLT artists-in-residence: Selva Aparicio, Kyle Bellucci Johanson, Susy Bielak, Julian Flavin, Maryam Taghavi, and Paige Taul. Preview 10 will open on Friday, March 19, 2021, by appointment only, from 3-8pm. Please reserve your time here.

Preview 10 is curated by Kristin Korolowicz.

Preview 10 presents various creative viewpoints from recent works that are gestures in new directions for the artists, in preparation for their solo exhibitions in 2021 and 2022. The exhibition is conversational, provisional, and open-ended in allowing the art to define itself and to evoke feelings of persistence and renewal.

About the curator

Kristin Korolowicz is an independent curator and writer. She is currently working on a solo exhibition of Port-au-Prince-born, Miami-based artist Adler Guerrier. She has worked previously at the Hirshhorn Museum and Sculpture Garden, the Bass Museum of Art, and the Museum of Contemporary Art Chicago. As the Marjorie Susman Curatorial Fellow at the MCA Chicago, she co-curated Theaster Gates’s “13th Ballad,” an extension of his multifaceted project for dOCUMENTA (13), with chief curator Michael Darling. Korolowicz also curated solo exhibitions of commissioned works by Gaylen Gerber and José Lerma. Her current independent curatorial research interests include investigating multivalent forms of collaboration. Over the course of her career, she has worked with an array of emerging to established artists, such as: Ghada Amer & Reza Farkhondeh, Roman Ondák, Mark Dion, Felipe Mujica & Johanna Unzueta, Laurent Grasso, Sanford Biggers, Glenn Kaino, Victoria Martinez, Chemi Rosado-Seijo, and Jillian Mayer, among others. She earned her MA in Curatorial Practice from California College of the Arts.

About Artists
2020 - 2021
Julian Flavin

Julian Flavin is a Canadian artist and educator living in Chicago, Illinois. His work employs film/video, installation, writing, and sound to think through such ideas as: the ideological applications of music, the mitigation of social pain with dystopian irony, and the vexed desire for respite from complexity. His work has been featured as part of SXSW, Osheaga Music Festival, Harun Farocki’s Labor In A Single Shot, and Visions Du Réel amongst others. He has worked as the assistant to artist Mierle Laderman Ukeles and currently teaches at Northwestern University and the School of the Art Institute of Chicago.

Image: Julian Flavin i, as in (2019). HD Video, 17 minutes.

Kyle Bellucci Johanson completed a B.A. in Reconciliation Studies and Art from Bethel University in 2009. In 2008 he studied peace and conflict at the University of Ulster in Derry/Londonderry, Northern Ireland, and completed an M.F.A. at California Institute of the Arts in 2016. Kyle was a 2015 fellow of at land’s edge, an artist-led, autonomous, and experimental platform focused on intergenerational mentorship and engaged programming in community-run spaces across east and south Los Angeles. In 2018 Kyle opened table, a temporary project space dedicated to situating artist’s practices through exhibition, discursive meals, and publication. Currently he is an adjunct assistant professor at University of Illinois Chicago, and lecturer at School of the Art Institute of Chicago. Kyle’s work has recently been on view at the Gray Center at the University of Chicago (Chicago, Illinois), Bill’s Auto (Chicago, Illinois), Museum of Contemporary Art on the Moon (MOCAM), Automata (Los Angeles, California), Sullivan Galleries at the School of the Art Institute of Chicago (Chicago, Illinois), ALTES FINANZAMT (Berlin, Germany), Centro Cultual Metropolitano – MET Quito (Quito, Ecuador), and Human Resources (Los Angeles, California).

Image: Kyle Belluci Johanson chance encounters for a third try: attempting a house party on the moon (screenshot). A performance architecture in which my flat in Chicago has been reconstructed on the surface of the moon – Earth’s natural satellite. (http://partyonthemoon.house)

Headshot Photo Credit: Kim Becker

Selva Aparicio is an interdisciplinary artist working across installation and sculpture to create artwork that digs deeper into ideas of memory, intimacy and mourning. Born andraised in the woods just outside of Barcelona, Spain, she found solace in nature from a young age and cultivated a profound interest in the ephemeral as inspired by the natural world around her.

She received her BFA from the School of the Art Institute of Chicago in 2015 and her MFA in sculpture from Yale University in 2017. Aparicio’s work has been shown internationally in solo and group exhibitions including the Museum of Contemporary Art, Chicago; The International Museum of Surgical Science, Chicago; Yale Center for British Art; Can Mario Museum, Spain; CRUSH Curatorial, New York; The Kyoto International Craft Center, Japan; Instituto Cervantes, New York; and the Centre de Cultura Contemporanea de Barcelona.

She was awarded the JUNCTURE Fellowship in Art and International Human Rights in 2016, the Blair Dickinson Memorial Prize in 2017, and received a MAKER Grant from theChicago Artist Coalition in 2020. She was also named one of the 2020 breakout artists in Chicago by NewCity Art and is a current artist in residence at BOLT.

Image: Selva Aparicia, Auto de Fe, (2021). Rose branch, play-wood, dandelions. Photo taken by Robert Chase Heishman. 

Portrait photo credit: Eugene A. Maltez

Susy Bielak’s art and writing responds to issues including migration, displacement, and the relationship between domestic life and disaster. In the process, she mines personal and political histories, texts, and archives to find the allegorical possibilities and poetics of people, places, and materials. Bielak’s work has been collected and exhibited widely, including by the International Print Center, Museo Tamayo, San Diego Museum of Contemporary Art, and Walker Art Center, and published in Art Papers, Poetry Magazine, and New American Paintings. She received her MFA from the University of California, San Diego. She frequently makes work with Fred Schmalz in the collaborative Balas & Wax.

Image: Susy Bielak Singing in the dead of night: Breath Drawing #1, 2020, photograph, 12.5” x 12.5” 

2020 - 2021
Maryam Taghavi

Maryam Taghavi is an  artist and educator residing in Chicago. Her work is a study of forms of language beyond their ordinary meaning making systems. She is interested in how language is a multisensory experience and situates her work  across disciplines of photography, installation, video, publication, drawing, and performance.  She has exhibited nationally and internationally at institutions such as LAXART, Queens Museum, Exterressa Museum, Chicago Cultural Center, Sullivan Galleries, EXPO, Driehaus Museum, and Sazmanab Gallery among others. She is  currently a resident at the Chicago Artists Coalition. 

Image: Maryam Taghavi, A Flight into the Abyss, 2019. Acrylic glass, fabric print, digital print on fabric. Installation dimension: 20 x 10 ft. 

2020 - 2021
Paige Taul

Paige Taul (b.1996) is an Oakland, CA native who received her BA in Studio Art with a concentration in Cinematography from the University of Virginia and her MFA in Moving Image from the University of Illinois at Chicago. Her work engages with and challenges assumptions of black cultural expression and notions of belonging through experimental cinematography. As a part of her filmmaking practice she tests the boundaries of identity and self-identification through autoethnography to approach notions of racial authenticity in veins such as religion, style, language, and other black community based experiences.

Image: Paige Taul, 10:28, 30, 2019. 16mm/miniDV, 04:23 min