William Estrada grew up in California, Mexico, and Chicago. His teaching and art making practice focus on addressing inequity, migration, historical passivity and cultural recognition in under represented communities. He documents and engages experiences in public spaces to transform, question, and make connections to established and organic systems through discussion, creation, and amplification of stories through creativity already present. He is currently a visual art teacher at Telpochcalli Elementary and faculty at the School of Art and Art History at UIC. He has worked as an educator and artist with Chicago Arts Partnership in Education, Hyde Park Art Center, SkyArt, Marwen Foundation, Urban Gateways, DePaul University’s College Connect Program, Graffiti Institute, Vermont College of Art and Design, Prison + Neighborhood Art Project and The School of The Art Institute of Chicago.
William’s art and teaching is a collaborative discourse of existing images, text, and politics that appoints the audience to critically re-examine public and private spaces. As a teacher, artist, and cultural worker he reports, records, reveals, and amplifies experiences you find in academic books, school halls, teacher lounges, kitchen tables, barrios, college campuses, and in the conversations of close friends to engage in radical imagination.
William has presented in various panels regarding community programming, arts integration, and social justice curricula through the Illinois Art Education Association, the School of the Art Institute of Chicago, Illinois Humanities Council, Smart Museum of Art, the National Guild of Schools in the Arts, National Art Education Association, Teachers for Social Justice San Francisco, Iowa University, Grand View University, Illinois State University, University of Nebraska at Kearney, Nebraska Art Teachers Association, Illinois Arts Alliance, and the Chicago Cultural Alliance. In 2016 he was awarded the Teaching Artist Community Award from 3Arts Chicago.
His current research is focused on developing community based and culturally relevant projects that center power structures of race, economy, and cultural access in contested spaces.