In January 1973, Roe v Wade dramatically extended women’s options for bodily autonomy. Notwithstanding, women’s bodies remain a battleground – not just around reproductive health, but in myriad other areas, including (but not limited to) decisions around consent, safety, employment and beauty. Roe v Wade faces new threats to its existence – leaving reproductive rights in ever greater peril. Beginning with the policing of women’s bodies, and expanding to examine all forms of body policing and discrimination. ARC will host a juried exhibition in January 2022 to address these themes. Body politics shape the socio-political climate and affect basic human rights. From the #metoo movement and rape culture, to domestic violence, to gender politics, and right down to the politics of hair in the classroom and workplace, we want to hear from you with work that addresses ideas around bodily autonomy. Entry is open to all genders.
ALL media are welcome, including video, performance, sound, 2D and 3D work; and all artists’ work will be considered. Due to space limitations no large projections or media-based installations will be accepted. Three “juror awards” will be selected for a small monetary award ($100 each); and awarded work will be featured on the ARC website.
The exhibition will run from January 6 - 29, 2021. Details below.
Entry fee: $40 for one to three images. $10 for each additional image. (Lower charge for students -- high school or college students can pay a reduced fee of $25 per 3 entries with $10 for each additional entry. Please include copy of Student ID.)
ABOUT THE JUROR:
Ginny Sykes is an interdisciplinary artist utilizing performance, video, sculpture, painting, installation, ceramics and more. Her personal and political approach to art incorporates a Jungian and feminist perspective, working with symbol and myth to critique patriarchal codes that have occupied and over-determined artistic content through much of history. Resisting prescriptive and institutional classifications of a universalized female experience, Sykes instead asserts and affirms the complexity of identities women negotiate. She employs a poetic, layered, and visceral aesthetic across the genres of her practice to suggest the transforming and healing potential of art, and to invite new cultural, emotional, and psychological understandings. An example of this is Sykes’s recent project 100 Women: Collaborations Beyond the Veil, which commemorates the 100th anniversary of the 19th amendment, granting women the right to vote. Through a photographic and performative lens, 100 diverse women posed for Sykes to create a contemporary visual archive of women on the subject of liberty.
Sykes holds an MA in Women Studies and Gender Studies from Loyola University, Chicago, IL, where she received a Community and Global Stewards Fellowship, and has a BFA from Washington University, St Louis, Missouri. She studied painting and art history for three years at Studio Cecil Graves in Florence, Italy. She divides her working life between Chicago, Illinois and Naples, Italy.